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__NOTOC__ Heinrich Amersdorffer (10 December 1905 – 2 December 1986) was a German painter, printmaker, war artist and art teacher. ==Life== Amersdorffer was a son of Alexander Amersdorffer (1875-1946), the successor to art historian Ludwig Justi as director of the Prussian Academy of Arts.〔Klee, Ernst: ''The Cultural Encyclopedia of the Third Reich - before and after 1945'', S. Fischer Verlag, Frankfurt 2007, S. 15, reprinted 2009. ISBN 3596171539〕 During the 1930s he exhibited a number of times in the National Socialist '' Große Deutsche Kunstausstellung'' (Great German art exhibition) at Munich.〔 During the Second World War he worked as a war artist on behalf of the Wehrmacht, covering the western campaign and the invasion of France, including the depiction of undamaged French cathedrals amidst the ruins of bombed cities,〔 which was used to propagate the claim that German forces gave "magnanimous protection to architectural cultural heritage".〔Quotation from Joachim Petsch’s ''Paintings and Sculpture in the Third Reich'', reprinted in Ernst Klee’s ''Lexicon of culture'', p. 15〕 His cycles of war art made his name within the Third Reich, especially a painting of Rouen Cathedral, exhibited in 1941.〔 In January 1942 Amersdorffer said in the magazine ''Art for All'': "It has been granted to me to be able to work on this great task on behalf of the armed forces".〔Quotation from Ernst Klee’s ''Lexicon of culture''〕 In the postwar period Amersdorffer was appointed to a teaching position at the Berlin Academy of Arts, and later became an honorary professor.〔 In 1976 he gave his collection of about 1,000 ancient Greek and Roman coins to the Berlin Antiquities Collection. A chief condition of the donation was that it would forever remain a part of the collection of antiquities, and consequently, could not become part of the Berlin Coin Cabinet. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Heinrich Amersdorffer」の詳細全文を読む スポンサード リンク
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